TEM MULHER NO SAMBA

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Da mistura de ritmos africanos no século 19, nasceu na Bahia o samba.

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Criminalizado durante a década de 1920, quem fosse pego cantando ou dançando o ritmo poderia ser preso.

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MESMO OPRIMIDO, o samba cresceu e se tornou um símbolo

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Mas a história de perseguição não impediu que o samba se tornasse um reflexo da sociedade e impusesse também uma cultura machista às mulheres.

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Se aos homens cabia composição, os instrumentos e o protagonismo, às mulheres foram destinados papéis muito específicos como na cozinha, onde estão as “tias”, e na dança quase sempre sexualizada.

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Dona Ivone de Laura

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Mais de um século depois, as mulheres continuam a apoderar-se dos espaços do samba para além da dança - e também com ela.

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ELAS QUEREM

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Pink

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Em São Paulo, as mulheres ocupam 30% dos cargos que, até meados da década de 70, eram exclusivamente destinados aos homens.

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Em menos de 10 anos, elas vão dividir o comando do Carnaval de igual para igual.

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IMPERATRIZ LEOPOLDINENSE

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A Imperatriz também é a única a contar com uma carnavalesca solo. A Portela divide o posto entre um homem e uma mulher. Todas as demais têm a posição ocupada por um ou mais homens.

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Já quando o assunto é a composição do samba enredo, apenas a Salgueiro tem entre os vários compositores uma mulher.

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O Encontro Nacional das Mulheres na Roda de Samba,

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o encontro é um símbolo de resistência, sororidade e empoderamento.

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[{"selector":"#anim-0b9580d4-fcb4-4187-8736-9af3c950abbb","keyframes":{"opacity":[0,1]},"delay":0,"duration":600,"easing":"cubic-bezier(0.4, 0.4, 0.0, 1)","fill":"both"}] “O Brasil é machista. O samba é machista, mas o papel da mulher é forte.” BETH CARVALHO

Reportagem

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TEM MULHER NO SAMBA

Não apenas na dança, mas nos instrumentos, no canto, na composição, na administração das escolas...

Da mistura de ritmos africanos no século 19, nasceu na Bahia o samba.

Criminalizado durante a década de 1920, quem fosse pego cantando ou dançando o ritmo poderia ser preso.

MESMO OPRIMIDO, o samba cresceu e se tornou um símbolo

DA MÚSICA BRASILEIRA.

Mas a história de perseguição não impediu que o samba se tornasse um reflexo da sociedade e impusesse também uma cultura machista às mulheres.

Se aos homens cabia composição, os instrumentos e o protagonismo, às mulheres foram destinados papéis muito específicos como na cozinha, onde estão as “tias”, e na dança quase sempre sexualizada.

Dona Ivone de Laura

Mais de um século depois, as mulheres continuam a apoderar-se dos espaços do samba para além da dança - e também com ela.

ELAS QUEREM

SER ENXERGADAS

NÃO APENAS OLHADAS

Pink

“Para ocupar os espaços além dos estabelecidos, normalmente há duas possibilidades. Uma é a da tutela, em que se é tratada como ‘café com leite’, com um certo olhar paternal. A outra é a do exotismo.”

Em São Paulo, as mulheres ocupam 30% dos cargos que, até meados da década de 70, eram exclusivamente destinados aos homens.

Em menos de 10 anos, elas vão dividir o comando do Carnaval de igual para igual.

- carnavalesca Maria Apparecida Urbano.

IMPERATRIZ LEOPOLDINENSE

No Rio de Janeiro, em 2022, apenas uma escola de samba do grupo especial tinha uma mulher na presidência:

A Imperatriz também é a única a contar com uma carnavalesca solo. A Portela divide o posto entre um homem e uma mulher. Todas as demais têm a posição ocupada por um ou mais homens.

Já quando o assunto é a composição do samba enredo, apenas a Salgueiro tem entre os vários compositores uma mulher.

O Encontro Nacional das Mulheres na Roda de Samba,

o encontro é um símbolo de resistência, sororidade e empoderamento.

Presente em 70% dos estados brasileiros,

Reportagem

Edição

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